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        <title>AGP-EDR193268</title>
        <editor>Rebecca Benefiel</editor>
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          <resp>Created scripts automatically generating XML according to EpiDoc Guidelines</resp>
          <name>Hammad Ahmad</name>
          <name>Mackenzie Brooks</name>
          <name>Kyle Helms</name>
          <name>Sara Sprenkle</name>
          <name>Trevor Stalnaker</name>
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        <respStmt>
          <resp>Principle Contributor</resp>
          <name>Alessandra Tafaro</name>
          <date>2024-09-28</date>
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        <publisher>Ancient Graffiti Project</publisher>
        <idno ref="URI">https://ancientgraffiti.org/Graffiti/graffito/AGP-EDR193268</idno>
        <date>2026</date>
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          <p>This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.</p>
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            <repository>EDR</repository>
            <idno>EDR193268</idno>
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            <repository>AGP</repository>
            <idno>AGP-EDR193268</idno>
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                  <rs type="execution">Graffito/incised</rs>
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              <origPlace>
                <placeName ref="https://pleiades.stoa.org/places/433032">Pompeii</placeName>
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              <origDate notBefore-custom="0001" notAfter-custom="0079" evidence="archaeological_context" datingMethod="#julian">1-79 C.E.</origDate>
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              <placeName ref="ancientgraffiti.org/Graffiti/properties/Pompeii/VIII.1/1">Pompeii, Insula VIII.1.1, Basilica</placeName>
              Pompei (Napoli), Regio VIII.1.1, Basilica
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      <div type="edition" xml:space="preserve" xml:lang="la"><ab><lb n="1" />si pote<supplied reason="lost">s</supplied> et non vis, cur gaudia <lb n="2" />differs spemque foves et <lb n="3" />cras usque redire iubes? <supplied reason="lost">er</supplied>-<lb n="4" />go coge mori, quem <lb n="5" />sine te vivere cogis:<lb n="6" />munus erit certe non <lb n="7" />cruciasse boni. quod spes <lb n="8" />eripuit, spes certe redd<supplied reason="lost">i</supplied>t amanti<lb n="9" /><space /><lb n="10" />qui hoc leget nunc quam posteac<lb n="11" /><choice><reg>aliud</reg><orig><orig>aliid</orig></orig></choice> legat. numquam sit salvos, qui supra scripsit.<lb n="12" />Vere <choice><reg>dicis</reg><orig><orig>dicicis</orig></orig></choice> Hedysto<lb n="13" />f<supplied reason="lost">e</supplied>licit<supplied reason="lost">e</supplied>r</ab></div>
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        <p>Textus et mensurae secundum (1) &lt;br&gt;v. 10: ALIID pro ALED (5); SCRIB[ET] (6)&lt;br&gt;v. 11: DICICIS pro DICIS (5)&lt;br&gt;vv. 1-4, 11: Littera E ut II scripta est. &lt;br&gt;Carmen constat distichis elegiacis duobus et hexametro. In versibus metricis legitur: &lt;br&gt;si pote[s] et non vis, cur gaudia differs &lt;br&gt;   spemque foves et cras usque redire iubes? &lt;br&gt;[er]go coge mori, quem  sine te vivere cogis:&lt;br&gt;   munus erit certe non cruciasse boni. &lt;br&gt;quod spes eripuit, spes certe redd[i]t amanti.&lt;br&gt;&lt;br&gt;Iuncturae evocant poetas preaeclaros: vv. 1-2 ex Ov. am. 2.5.29; vv. 2-3: ex Tib. 2,6,19-20 (5); vv. 3: ex Ov. Her. 3,6,87 (4); vv. 4-5 ex Verg. ecl. 2,7 at Ov. epist. 3.140 &lt;br&gt;Carmen a femina scriptum esse contendit Courtney (7).&lt;br&gt;vv. 9-12: ommittunt (4)-(11). altera manus subscripsit: qui hoc leget nunc quam posteac aled legat numquam sit salvos. tertia manus addit: qui supra scripsit; quarta: vere dicis; quinta: Hedysto feliciter (5).</p>
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      <div type="commentary">
        <p />
      </div>
      <div type="bibliography">
        <p>CIL 04, 01837 con apografo (1), cf. p. 212 (2), 464 (3), 704 (4), pp. 1695-1696 (5)&lt;br&gt;CLE 949 (6)&lt;br&gt;M. Gigante, Civiltà delle forme letterarie nell'antica Pompei. Napoli 1979, pp. 211-213. (7)&lt;br&gt;A. Varone, Erotica Pompeiana. Iscrizioni d'amore sui muri di Pompei. Napoli 1994, pp. 101-103. (8)&lt;br&gt;E. Courtney, Musa Lapidaria. A Selection of Latin Verse Inscriptions. Atlanta 1995, p. 305. (9)&lt;br&gt;P. Cugusi, Aspetti letterari dei Carmina Latina Epigraphica. Bologna 1996, p. 233, p. 377. (10)&lt;br&gt;A. Varone, Titulorum graphio exaratorum qui in CIL Vol. IV collecti sunt imagines, Roma 2012, vol. II, p. 357. (11)&lt;br&gt;K. Milnor, Graffiti and the Literary Landscape in Roman Pompeii. Oxford 2014, p. 206. (12)&lt;br&gt;P. Lohmann, Graffiti als Interaktionsform&amp;#8239;: Geritzte Inschriften in den Wohnha&amp;#776;usern Pompejis. Berlin 2018, p. 277. (13)&lt;br&gt;http://ancientgraffiti.org/Graffiti/graffito/AGP-EDR193268 (14)</p>
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