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        <title>AGP-SMYD00293</title>
        <editor>Roger S. Bagnall</editor>
        <respStmt>
          <resp>Encoded in XML from original publication</resp>
          <name>Tom Elliott</name>
          <name>David M. Ratzan</name>
          <name>Patrick J. Burns</name>
          <name>Georgios Tsolakis</name>
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        <respStmt>
          <resp>Created scripts automatically generating XML according to EpiDoc Guidelines</resp>
          <name>Hammad Ahmad</name>
          <name>Mackenzie Brooks</name>
          <name>Kyle Helms</name>
          <name>Sara Sprenkle</name>
          <name>Trevor Stalnaker</name>
        </respStmt>
        <respStmt>
          <resp>Principle Contributor</resp>
          <name>Roger S. Bagnall</name>
          <date>2016-10-03</date>
        </respStmt>
      </titleStmt>
      <publicationStmt>
        <publisher>Ancient Graffiti Project</publisher>
        <idno ref="URI">https://ancientgraffiti.org/Graffiti/graffito/AGP-SMYD00293</idno>
        <date>2026</date>
        <availability>
          <p>This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.</p>
        </availability>
      </publicationStmt>
      <sourceDesc>
        <bibl>
          <name>R.S. Bagnall</name>
          <name>R. Casagrande-Kim</name>
          <name>A. Ersoy</name>
          <name>C. Tanriver</name>
          <name>B. Yolaçan</name>
          <title level="m">Graffiti from the Basilica in the Agora of Smyrna</title>
          <publisher>First published by the Institute for the Study of the Ancient World and the New York University Press, 2016.</publisher>
          <pubPlace>New York</pubPlace>
          <date>2016</date>
        </bibl>
        <msDesc>
          <msIdentifier>
            <repository>EDR</repository>
            <idno>SMYD00293</idno>
          </msIdentifier>
          <msIdentifier>
            <repository>AGP</repository>
            <idno>AGP-SMYD00293</idno>
          </msIdentifier>
          <physDesc>
            <objectDesc>
              <supportDesc>
                <support />
              </supportDesc>
              <layoutDesc>
                <layout>
                  Charcoal Dimensions:
                  <dimensions>
                    <height unit="centimeter">10</height>
                    <width unit="centimeter">8</width>
                  </dimensions>
                </layout>
              </layoutDesc>
            </objectDesc>
            <handDesc />
            <decoDesc>
              <decoNote xml:lang="la">((:caput hominis))</decoNote>
              <decoNote xml:lang="en">head of person</decoNote>
            </decoDesc>
          </physDesc>
          <history>
            <origin>
              <origPlace>
                <placeName ref="https://pleiades.stoa.org/places/550771">Smyrna</placeName>
              </origPlace>
              <origDate notBefore-custom="0180" notAfter-custom="0300" datingMethod="#julian">0180-0300 C.E.</origDate>
            </origin>
            <provenance type="found">
              <placeName ref="ancientgraffiti.org/Graffiti/properties/Smyrna/Agora/1">Basilica of the Agora of Smyrna, Izmir, Turkey</placeName>
            </provenance>
          </history>
        </msDesc>
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    <profileDesc>
      <calendarDesc>
        <calendar xml:id="julian">
          <p>Julian calendar</p>
        </calendar>
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      <div type="edition" xml:space="preserve"><ab /></div>
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        <p />
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        <p />
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      <div type="commentary">
        <p>Dipinto of a male head, located at the top of the back wall of Bay 29, toward the middle. The head is shown in profile, turned toward the left. The proportions and the poor detailing suggest that the drawing was not made by a trained artist. The head is characterized by a large almondshaped eye with a round pupil and short eyebrow. The sharp acute line of the nose begins at the eye’s left corner. The upper lip is quite pronounced and the mouth is drawn as open. Below the undershot chin is a large, elongated neck. The hairline begins right above the eye, with no space left for the forehead. The hairdo is rendered in a few, thick parallel lines that follow the skull’s curvature, suggesting that the straight hair touched the nape of the neck. The ear is long and tear-shaped. The man might be a spectator, cf. T29.8.</p>
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      <div type="bibliography">
        <p>Bagnall, R. S. et al., Graffiti from the Basilica in the Agora of Smyrna (2016): 304.</p>
      </div>
      <div type="summary">
        <p>Drawing of a face</p>
      </div>
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