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        <title>AGP-SMYD00171</title>
        <editor>Roger S. Bagnall</editor>
        <respStmt>
          <resp>Encoded in XML from original publication</resp>
          <name>Tom Elliott</name>
          <name>David M. Ratzan</name>
          <name>Patrick J. Burns</name>
          <name>Georgios Tsolakis</name>
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        <respStmt>
          <resp>Created scripts automatically generating XML according to EpiDoc Guidelines</resp>
          <name>Hammad Ahmad</name>
          <name>Mackenzie Brooks</name>
          <name>Kyle Helms</name>
          <name>Sara Sprenkle</name>
          <name>Trevor Stalnaker</name>
        </respStmt>
        <respStmt>
          <resp>Principle Contributor</resp>
          <name>Roger S. Bagnall</name>
          <date>2016-10-03</date>
        </respStmt>
      </titleStmt>
      <publicationStmt>
        <publisher>Ancient Graffiti Project</publisher>
        <idno ref="URI">https://ancientgraffiti.org/Graffiti/graffito/AGP-SMYD00171</idno>
        <date>2026</date>
        <availability>
          <p>This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.</p>
        </availability>
      </publicationStmt>
      <sourceDesc>
        <bibl>
          <name>R.S. Bagnall</name>
          <name>R. Casagrande-Kim</name>
          <name>A. Ersoy</name>
          <name>C. Tanriver</name>
          <name>B. Yolaçan</name>
          <title level="m">Graffiti from the Basilica in the Agora of Smyrna</title>
          <publisher>First published by the Institute for the Study of the Ancient World and the New York University Press, 2016.</publisher>
          <pubPlace>New York</pubPlace>
          <date>2016</date>
        </bibl>
        <msDesc>
          <msIdentifier>
            <repository>EDR</repository>
            <idno>SMYD00171</idno>
          </msIdentifier>
          <msIdentifier>
            <repository>AGP</repository>
            <idno>AGP-SMYD00171</idno>
          </msIdentifier>
          <physDesc>
            <objectDesc>
              <supportDesc>
                <support />
              </supportDesc>
              <layoutDesc>
                <layout>
                  CharcoalPaintedDimensions:
                  <dimensions>
                    <height unit="centimeter">120</height>
                    <width unit="centimeter">167</width>
                  </dimensions>
                </layout>
              </layoutDesc>
            </objectDesc>
            <handDesc />
            <decoDesc>
              <decoNote xml:lang="la">((:navis))</decoNote>
              <decoNote xml:lang="en">boat</decoNote>
            </decoDesc>
          </physDesc>
          <history>
            <origin>
              <origPlace>
                <placeName ref="https://pleiades.stoa.org/places/550771">Smyrna</placeName>
              </origPlace>
              <origDate notBefore-custom="0180" notAfter-custom="0300" datingMethod="#julian">0180-0300 C.E.</origDate>
            </origin>
            <provenance type="found">
              <placeName ref="ancientgraffiti.org/Graffiti/properties/Smyrna/Agora/1">Basilica of the Agora of Smyrna, Izmir, Turkey</placeName>
            </provenance>
          </history>
        </msDesc>
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    <profileDesc>
      <calendarDesc>
        <calendar xml:id="julian">
          <p>Julian calendar</p>
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      <div type="commentary">
        <p>Very long dipinto in thick black and red lines. The shape, narrow and elongated, tapers at the two ends. A packed series of parallel straight lines are drawn within the form’s outline. A long line, parallel to the lower margin, runs throughout the whole width. Other lines seem to have continued below the main outline, but they are now completely faded. The dipinto can be interpreted as a ship: two very faded lines at the center identify the tapering shape of a mast, decorated with two horizontal lines defining the ropes tied around it. This suggests that the upper portion of the drawing has to be understood as a furled sail. The bulwark and the keel are completely faded.</p>
      </div>
      <div type="bibliography">
        <p>Bagnall, R. S. et al., Graffiti from the Basilica in the Agora of Smyrna (2016): 204.</p>
      </div>
      <div type="summary">
        <p>Drawing of a boat</p>
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